Writing

lure me into slumber

don't you know where the rain goes

She’s singing again. I can hear her through the walls, notes wearing away at the sheetrock as the melody mingles with the dust in the air. I can’t sleep through the heat, can’t seem to find a chill dream to lure me into slumber when the sweat running between my breasts and dampening the sheets feels as warm as my own body. Lying awake to her singing, the only company tonight, and all I can think of is how tired I’ll be in the sap-sticky light of morning.

Don’t you know where the rain goes,
Don’t you know where the snow blows, darling?
All the sleet’s been a fleeing
While the world’s lost in dreaming…

Over and over like the rain that won’t come as we watch the crops wilt and the animals pant in wheezes. No one bathes anymore, not when water’s so scarce the cattle are dying, and our fug rises like incense to some flaking god of drought, rises to further thicken the air until our lungs have to labor against the smell. I hear her voice crack on these thoughts and stutter in a cough that only ceases when I pound the wall with knuckles scarred from nights of this. Months of nights. And finally, a sob and a whimper and I can’t stand it any longer. The boards are warm against my heels, the door opens into a (fucking yes it is) warmer hallway inspiring a fresh coat of sweat on my salt-crusted skin. Her door creaks open and there she is, huddled with her face to the wall, but my dry, keen eyes can spot the glisten of tears against her cheeks in the lamplight. She doesn’t turn as the bed sags with my weight, so I push her thin shoulder down into the mattress and as she lies there, eyes closed and on her back, I bend down, not to kiss her, but to lick the tears from her cheeks, to savor the salty moisture that soothes my throat and, as she sobs still, I begin to sing.


human voices wake us

fucking invincible

He wakes again, his hands in aching fists, the sweat still damp against his back and it’s like he never slept at all. He turns, sees her curled away with furrowed brow and dream-crusted lashes and strokes her side, once, twice, three times before she stirs and murmurs, her lips now a movement against his shoulder, and he can barely catch the words.

I can’t find it.

Years of this and one bed traded for another, each lost in another’s dreams, each night a drowsing failure and home a little more distant and just as painfully extant. They’d lost their way hunting, and here they were again, as together as time and space could make it so and they knew each other by likeness. He could feel his heart shifting in his chest at the familiar in her face, old lineaments and age an overlay, an illusion. The same. The same and he was just as caught, just as reminded of the music they were born knowing and following like two besotted pilgrims half-dead and stumbling. A bitter union this, when it’s the longing that first brings people together.

Covered and catalogued, and no two shrinks agree on what disorder best inspires it, he knows. Some mass delusion surviving hundreds, perhaps thousands of years of living and looking and dying, largely benign, like the conviction that it’s the talking spiders and not your mother making you eat breakfast. Breakfast is good, right? So the spiders can’t be a bad thing. They never seem to say much else. Nothing to do with the Illuminati, nothing paranoid, really, and it’s somehow better, locking eyes with some stranger knowing you’ll share the same fuck and the same story later that night. Brothers. Sisters. Lovers and lost, recognized and united in a confused haze of displacement and lust.

He slides out of bed and into the cold, regretting the ease of leaving her like this. The ease of not having to watch her face mirror his as they dress for waking hours, more empty stretches between their occasional and unplanned meeting. The ease of spending most of their time asleep and undreaming, unstirred and untroubled like some kid wandering around with her eyes shut cause she knows she’s fucking invincible.


our complicity (text by Aaron Goekler)

It is so easy to declaim, as if

from the pulpit of some

supposedly righteous manner of

(what is ultimately self-

serving) moral justification,

in an effort to solicit pity and

vindication from the ones who are

in a position to frame your deeds outside

the context of your heavily vetted account

of tribulation and perseverance.

 

funny that same cardboard comprising the soapbox upon which we profess the inevitability of our actions serves as the lattice-work partition of the subjunctive confessional

 

And actually, that may be

the only comprehensible solution

or method of self-

preservation available to you

amid the ever-present reminder

of your potential indiscretions.

 

often in place of entertaining even the vague notion of our complicity in the jewel heist of the palacious manor of the super-ego, we lobby the representatives of the various (and deeply divided) districts of the conscious

 

And how remarkably natural

it feels to bask in the comfort and

solidarity of even one person

joining in your crusade against

the holographic spectre of a past

that is frankly elusive and irrelevant!

 

Thanks to Aaron Goekler of http://translamateur.wordpress.com/


measured and wrought

The man who can’t bear to remember (or forget) thinks proximally. It is the blistering glare of the sun that keeps his world clear of everything but his present, that chains the shadows to the corners and illumines a path that holds his daylight duration to a straight line of optionless pragmatism. Routine, and the memories are at bay, structure and the whole of his existence can be measured and wrought and whittled down to the necessary obligations of rent and food and allowed luxury.

But the night. The night is its own mystery.

The shadows, laden with voices and images, cease lurking and become a sea.


signaling at noise

Hold me, he thinks, because no one else (we) will, all else (we) busy raising fists and shouting–and he’s done. He’s tired, given up knowing, given up, knowing that each rush of anger, each wave of hate takes away. Takes away the wonder and the dreaming and the giving and most of all, the love. What reason for redemption, he mutters to himself, watching the burning inside them (us), their (our) shouts a din against his deafened ears. What reason to seek redemption when all they (we) want is to be right, to be considered right when in the end no one (not even we) wins. He’s held his life to that flame before, smelled the sweet char of his humanity’s sacrifice for cause after cause after cause, felt the fiery embrace of a union against a union against a union and so on because that’s all it ever was. Sides, and he recognizes that the earth is round, that sides taken and lines drawn are nothing more than words (tools, symbols, else) for the occupation of conflict, for an easy route out of the world they (we) had grown to fear. Blame placed, fear adopted, not their (our) problem when it’s so clearly due to someone else’s way of living, another’s untenability. They (we) all defending against straw monsters, toting their (our) effigies in indignant parades.

Hold me, says the signal off the mountain yet to be ascended. Hold me says the signal, undecoded.


from dream to soul

Once upon a time they dreamed a city

Threw a wall around it, stuck a tower in the middle, filled it full of all the things they loved and feared and ran to and ran from and all the strangers whose lingering eyes they met and held on subways in libraries on rooftops at shows. And the city lived, grew until it held the hearts of its builders and changed from dream to soul. Somehow, walking those streets, they recalled the memories of every thing they’d lost in every thing they found, traced the lineaments of their lives on stone and in water, heard their stories sung by artificial birds caged in dim alleys as they stumbled past, drunk on a wine pressed by amnesiacs.

Pilgrims came by desert and sea to pass through open gates, to wander in streets that never led to the same place twice. Some settled and joined the city’s artificers and cut and bruised and burned their hands on complicated machines with equally complicated purposes, some moved to a street of weavers where they fabricated verdant sheets woven from their sleeping visions of the forests of their homes. Some became the beggars on the corners playing music with the bones of the city’s dead, melodies that haunted the miserly, that brought luck and light to the generous.

Some left– those who came looking for a city that was less than a collective wish, those who came expecting the familiar, the details that comprise the structure of home. They left the strangers and the stranger labors, the wild thumping of the city’s heart that wove its way through every line of music, the slinking pad of dog-sized cats, the bookstalls crammed solely with texts of an interrogative nature. They turned their feet outside the gates to retrace the same weary road and after a shorter journey than they expected, found themselves surrounded by their own lives again and filled with a regret that burrowed like a live stone in their chests and they lived ever after with the taste of ash in their mouths and their children, growing older, inherited faded memories of a city that drew them, over mountains and seas, through deserts and valleys, to itself like some impossible and foreign star.


agoraphobe

She’s sitting on the porch with a yellowjacket attached to her head. Not attached, per se, when it’s walking around with an occasional flutter of its wings and lifting its legs away from strands of hair. She can see this in the window’s reflection, see the sting at the end of its stripe-serrated belly as it bobs in time with movement. She reflects back at the reflection

this is my life, wouldn’t you know it. a teeth-grit decision, living with this or doing the running and screaming bit in hopes that the bad thing won’t happen, that it will just go away. or sitting here for half an hour and hoping that it will just go away. but it doesn’t, does it?

And it’s not that difficult, in the end, having someone knock it off with the broom before her panicked dash for the hermetic and conditioned box behind the glass sans nature and all its stinging wonders. Only there’s the next day, and the next

risking life. that’s what we do. knowing there’s the one moment in a million where it’s going to cut my heart out and watch me eat it, watch this bloody and still-beating thing settle into some new and mangled configuration behind my ribs. it’s what we do every time we step outside, right? so why do we open the door into the big, wide world? why do we even bother? is it the monkey curiosity that seems like one more piece of junk dna when we step into the cave and come out with a hemorrhagic virus? is it the limbic urge of fucking and eating and all around sensory indulgence? is it

She wonders and wonders and wonders behind closed doors and sealed windows hoping that she’ll figure it out by the time the warm weather comes, before the first spring rain because she can’t help but recall the feel of light against her skin and her skin becoming gold.